There’s no nostalgia here, this isn’t about recreating the past. It’s about redefining. The energy of El Sham doesn’t just exist in folk and tribal gatherings only; it exists in packed warehouses, in sweat-drenched dancefloors, in speakers shaking from bass that tells its own story.

The EP reaches its pinnacle as Nayoo, the producer behind the FiG, takes El Sham percussion to grand stages, keeping the heartbeat of the holy unholy homeland Hazz and Hishek Beshek alive. The darbuka, a percussive pillar of the region, is not just an instrument here: it’s a storyteller, a link between past and future, tradition and innovation.

At its core, deconstructing the raw sounds from his sound inventory and rebuilding them into club-ready anthems. While the darbuka slaps hard against deep acid jungle basslines. Five Tracks evolve like conversations flow, but gritty, unpredictable, and always rhythmic until the last second in FiG.


in other words:
راح تشتري حبّة التين خاوة

روح لف في سوق
وارجعلي

www.khawa962.com

yoo don't tell Bandcamp people that we released it here first ;)